Progressive music demands that one never stands still, or re-creates a sound of the past, and that is the case here. It’s the extremes on the album that get me most…they are miles apart. The muddy, murky, grungy, and massive bottom end is as nasty as anything I have heard this year, but the bright vocal harmonies keep you from being swallowed by them. They seem to have a way with balancing these two things quite well on the album.
