Norwegian Melodic Rock act STONEFLOWER was founded in the early 2000's and hit the studio with their debut album in 2003. They called it quits at one point before reuniting with a new frontman Johhn Masaki. "Finally" contains eleven tracks. "Gonna Let you go" is the opening track, and first video released. It has a rocking keyboard entrance and John Masaki has an absolutely wonderful voice, as the genre often demands. The chorus has plenty of backing vocals which is a plus, and I love the attention payed to the keyboards...they are not just an afterthought. Tom Sennerud is a solid guitar player as well.

"What can be Done" is a slower song where John pushes emotions out. His voice is really strong in the upper ranges, and the band knows how to use harmonies as well. Though a bit more tender, it doesn't lose its edge. "Believing" is more of power ballad, where the drumming is mostly done on the toms. The chorus is rich and full and just when you didn't think it was possible to get more from the genre, this song has me "believing." "Kaylee" is clearly written with someone in mind. It's another tender song where you get a deep sense of longing for your mate...we've all been there. "The Devil never Cries" has a bit of a swing in the cadence and a lot of positivity. Once again, they deliver a memorable chorus.

"Finally" opens with a bit of a tougher edge and one where you can hear the bass guitar more clearly. The verses are softer, and the chorus is where he delivers the deadly vocal blows. If this song doesn't get you moving, you might want to check your pulse. "How Does it Feel" is a shorter song that opens with just vocals and light instrumentation. John was the right choice to revive the band from the depths. The keys swirl so well in the bridge, followed by a poignant little guitar solo. "Fall" closes the album. It's a slower piano based song where the focus is on the vocals. Absolutely crystal-clear vocals are what you get here, either a natural born talent or something he has had to work every hard to attain.

Overall, as I mentioned before, it's not a new style of music, or even a new band, but something lit a fire under them, because they really pushed themselves to new heights here on this album. I can't say enough about John Masaki's vocals. He has perfect control and can really push into the upper ranges. Having a guitarist and drummer who can sing back-up vocals doesn't hurt either. It created this rich and full sound that is often missed in the genre. I can't tell you how many AOR albums I have heard this year where that was my main criticism. Bravo, boys, and glad to hear that you are back!