ENSNARED is a Swedish band comprised of two members, J. K. (drums) and H. K. (guitar, vocals).  The band formed back in 2010 but released only one full-length prior to the one covered here, "Inimicus Generis Humani," due out Valentine's Day.  The band is classified as Death Metal but after repeated listens, there are stark contrasts which do generate some interest however fleeting it is.

The album begins with "Interlude 1," a track just over four minutes in length that sets the mood with an oppressive atmosphere.  Were one to simply go on the sound of that first instrumental track, it would be logical to conclude that this is closer to Doom or even Sludge.  In fact, there are two other interludes, two and three respectively, that at least attempt to help break up the monotony of the other five tracks.

Unfortunately, though if there is a consensus here overall, it is that the album is plagued by such monotony.  The second track, "Spiritual Necrosis," is a better representation of the band's overall sound with traditional Death Metal vocals, stock riffs, and other common tropes of the genre.  The guitar tone has much less gain, though, that typical Death Metal instead retaining a more organic, natural tone.  It's a shame that such a finely sculpted tone is not allowed to form a full exposition of guitar intent as is alluded to in the instrumental tracks.

Fifth track, "Disciples of the Whip," is another statement of the band's old school-tinged take on Death Metal.  There is a clear nod to classic MORBID ANGEL throughout the album.  Unfortunately, ENSNARED's arsenal of riffs is inventoried with some bland tendencies.  It isn't that the riffs are terrible, it is just that I fail to see what is unique enough about most of them to warrant a record contract as everything ultimately blends together in a puzzling soup.  In fact, that's the perfect analogy.  The five Death Metal tracks are like unsalted, Campbell's Tomato Soup with three bite-sized meatballs popping up on the surface representing the more enticing instrumental work.

During the interludes, though, it is as if a different band is performing.  A more mellow and melodic sound is explored during these tracks, one that is much more appealing creatively.  The other five tracks, however, fail to distinguish themselves.  The talent is there for the band to achieve greater things should they decide to bow to their inner muse and forsake the confines of atypical, frankly boring Death Metal.