Per Nilsson
Scar Symmetry
•
October 25, 2014
No not really, but the mere fact that we were approaching our 10th anniversary was one of the reasons why we wanted to do something different - after having released a string of five albums in an orderly fashion, it was time to challenge ourselves a bit as well as our fans.
The lyrical concept of the album is a mix of real science stuff and science fiction, and I tried to write music that would support and enhance the vibe of the lyrics, so yes, it was very much intentional!
There hasn't been that many changes to how we operate as a band. We're not doing Scar Symmetry full-time so a lot of the changes in the music industry doesn't affect us much since we earn most of our living from doing other stuff. We just keep on doing what we do; write and record albums, and tour whenever we feel like it, without ever compromising with our artistic vision and integrity.
Absolutely - I interact with fans online pretty much every day. I try to make myself as available to the fans as I have time for - and I devote a considerable amount of my time talking to fans online, in different ways and in different forums. I think it's a really, really cool thing, and most of the fans I interact with are really nice people.
I think you'd be hard pressed to find a musician or music business person who don't think there are any negative sides whatsoever to the new technologies! But as old business models crumble and wither away, new will take their place - though there's no saying if it will ever be as profitable generally to the musicians and record labels as it has been in the past.
We've been living in this brave new world of downloading and streaming for quite some time now and it's interesting to see what kind of bands and business that manages to survive, and what sort of business and marketing decisions they make to stay afloat. I think that a lot of music fans are starting to recognize the need to actually support their favorite artists, to keep them in business making new music. The concept of crowdfunding is very interesting - though some bands have made asses of themselves by launching VERY unrealistic, bordering-on-greedy campaigns. But the cool thing about it is that it sets up a direct link between the artist and her fans where the lion's share of income actually makes it directly to the artist's own pockets, to be used for whatever things the artist needed them for - recording, production, manufacturing costs, or even as a mean to support the artist financially while working on the products. Some people get all rallied up with the whole thing because they have the misconception that the artists are asking for donations, when in most of the cases it is nothing more than a system that allows the fan to pre-order and pre-pay products from their favorite artist.
Maybe not that much today but most certainly in the future. If we follow the trajectory of technological advances that we are currently on, we will in the next few decades see the biggest paradigm shift in the history and evolution of mankind. With the emergence of man-like artificial intelligences, brain-computer interfaces, cryonics, cloning, and advanced robotics and androids, we will see a very different reality on earth. At some point we might see the rise of sentient machines which certainly won't be uncontroversial to people in general.
Basically, we in the band though that 'Limits' and 'Cryonic Harvest' were the best candidates for the singles, and as it turned out, our record label felt the same way!
'Limits to Infinity' shouldn't be interpreted literally - in the context, it's meaning is more of a poetic, philosophical nature. In the song, the 'elite', the people who are behind the technological advances that have led to the modification of humans into 'neohumans', discover that there are limits to infinity in certain cases, as a circle of creation/destruction that is bound to repeat itself - virtual particles fluctuating in and out of existence, entire universes created in a big bang and destroyed in a big crunch only to explode into existence again in a cycle that is repeating itself on a timescale way beyond our imagination.
It means very little, to be honest. 'Modern' metal is bound to be 'un-modern' at some point, right? In that sense, it might be the worst ever name for a genre! When I write our music, I don't care about whether people are gonna be able to comfortably fit our music in any one genre or not, it just isn't something that concerns me very much. Not that I don't see the benefits of sticking a genre-tag on bands - but mostly, that is something that is of interest to the industry (labels, distributors, records store) and the press. Oh and not to forget, the 12-year old scene kids who spend countless of hours on online discussions on whether a band 'djent' or not, hehe.
When people really are pushing me for an answer, I usually say that Scar Symmetry plays progressive melodic death metal because that is a broad enough description to encompass most of what we do musically, and it is specific enough to actually give people an idea of what we're all about.
Most definitely, yes! We were planning a Euro tour for early next year but we recently learned that one of the guys is becoming a first-time father around that time so we have to postpone that plans a bit. The idea is to tour the festival circuit next Summer and then pick up touring late Summer or early Autumn of 2015.
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