Ross Oliver
Risen Prophecy
Hey Lior, thanks so much for getting in touch. It's been a busy year for me so far: I've had a European tour earlier in the year with my other band Vacivus, then I've have been in the studio with them recording for the new release coming out in October. I've recently just gotten back from a month-long tour of the US sessioning for Cruciamentum and now I'm working on new Risen Prophecy material whilst promoting the current release.
It's just the way it comes out. When writing, we aren't thinking in genres so the mixture is a just a result of not allowing any boundaries in the song-writing. We allow all of the influences from the music we like to be pooled into our song-writing rather than creating separate projects for each influence.
From a writer's point of view, it's just what we write and it has no correlation to what's going on but from a listener's point of view it may bring a "freshness" or alternative path to where metal is now. I write the music I want to hear in the world and it's great when other people are into that same music too.
A lot of the lyrics can very easily relate to the present since a lot of the themes are, in a sense, timeless. For example, one of the big themes throughout "Voices…" is the corruption of mankind which is pretty easy to relate to today in many ways but my point in the lyrics isn't so much the specific examples that people could point to presently but the bigger picture itself. So, continuing the example: if mankind is corrupt, what does that mean? Why it is corrupt? How does that affect me? If there are messages of present times they still relate to the bigger thought, they are still examples of something more than what they present on the surface.
Dan is an incredible vocalist and I feel it a privilege to hear him sing every time we play together. He has an amazing ability not only from a technical point of view but from his personality and individuality as a vocalist. It's his heart and passion that brings the lyrics to light. The reason I think the quality is so high in delivery is because he means it, feels it and there's a real honesty to his singing- which is rare. As theatrical as the performances can be, it's clear he isn't faking or pretending to be someone he's not.
I think the songwriting has developed yet from the same roots as the previous albums. The songs didn't take much effort at all and they just seemed to write themselves. As time has gone on, we have become more and more comfortable with our own writing process and everything feels very natural between us all.
Yeah "Vengeance from Above" is a thrasher one for sure! I love playing it live because it has such a great force behind it. It's a good one for the rhythm playing too!
I think "Voices from the Dust" is the track is a stand out to me just because of the vastness of it. I was really happy about how the mid-section and outro came out too.
I still cycle my old favourites and try to listen check out new albums/bands too. Lately I've been playing catch-up because I've been away so much. It's great being away with other people because you get exposed to loads of "new" music but it also means you don't have as much time to invest in the music as you would if you were alone at home. As an example, I'm planning on checking out Crypt Sermon properly this week and I also have the new Atlantean Kodex album to listen to- I'm not going to be too late to the party on that one since I'm a big fan already. As far as bands who might become the next "bigger" metal bands, I guess it's hard to say, it'll be those who persevere.
As far as Manowar and Hellfest are concerned I wouldn't want to comment because I don't know enough about the details. I try not to judge situations without knowing the truth or at least hearing both sides. Anytime someone cancels it's a horrible thing for fans, bands and promoters. It's sad that the older bands are stopping to perform but it's just the way life is. The beauty of music is that in itself, it extends past and present so these incredible albums / songs will remain even though the writers go like the way of all flesh. We still hear Handel, Bach, Beethoven and yet we've never seen them perform their works so maybe we should be just thankful we have had the privilege to witness these bands while they were/are alive and performing.
I think it makes complete sense because to find strength by relating to music will give someone the sense of not being alone in their struggle. The relatability to someone else's expression is incredibly satisfying to us especially when life is difficult. So, I don't think calmness and strength are two opposing things rather they work together.
We would like to do more dates in Europe whether that be festivals, stand-alone shows or a combination within a tour. We are very keen to play more live, so will pursuing this as much as possible.
Thank you very much Lior, we really appreciate your support and it's been a pleasure to talk with you.
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