The band had this to say about the album cover and themes: “this artwork captures the essence of the album—a dreamlike atmosphere filled with rich symbolism. As Daniele explains, “The image represents the interior of the house depicted on our previous album cover, “The Unexpected,” which was designed by the illustrator Daniele Serra. The hare, symbolizing spiritual rebirth, is a key motif throughout the album.”

“Before the Dark” is first, and it has a combination of Rock and Metal elements with some orchestral arrangements. When the snarl of the vocals comes in, the scales tip more into the Metal category however. “In the Woods” has a darker edge to it, and although the main riff is pretty simple, the song is fairly catchy. During these first couple of tracks, the band does venture out a bit, almost to the point where they find themselves in unfamiliar territory. Let’s keep listening. “Another Chance” features charming piano notes, gentle vocals, and a bit of reflection. “I’m not the man I want to be” he says with a bit of shame and vulnerability in his shaky voice.

“Hold on” is a shorter song that focuses mostly in the interplay between synths and guitars. The song that started somewhat dark reverts to the light in a resolve that is reflected in the chorus. “In the Rooms of Dream” is a short instrumental segue to “Hare,” which is another short song that deals with many shades of blue and grey, but some of the vocals poke out of the natural sound during parts. “Running with a Firework Smile” has a sturdier riff and more snarly vocals that are augmented with backing choirs. Mid-way through the album now, I am still left with a little more questions than answers. “Still Bleeding” is another pensive number. Keeping in mind that this is Progressive music, I still feel a bit lost.

“Wrong” begins with fat symphonic elements, especially in the big brass instruments. From there, it falls back to the gentle and depressive sounds of previous songs. The chorus is well put together however. “Dawn of September” is the lengthy composition on the album, clocking in at just under eight minutes. It develops slowly, and with anticipation, and the keyboard solo is fantastic. September is traditionally one of those magical transformation months where summer gives way to fall, so it rightly has many ominous tones. “My Wake” closes the album. In a way, it bring the album back together by reminiscing on the opening album notes.

The album did have a dreamy quality to it as the band described, and you can tell that the musicians poured every bit of heart into their craft. The one main criticism I have is the overall direction of the album, it just wasn’t clear to me. Then again, Progressive music can leave the listener hanging out to dry, because it beguiles you to use all of your senses, and questions can linger.