From Bandcamp, “Millions of years after “The Far Star” mission took place, an artificial intelligence comes up with an ingenious plan that puts life in the Universe at risk. In this second volume of the saga created in the 2019 album and book, inspired by the work of the science fiction writer Issac Asimov, APOTHEUS introduces new atmospheres and emotions in the nine chapters of the new album, in a roller coaster of melodies, messages and intrigues that will be revealed along with the musical and literary work sequel.” The album has nine songs.

“Shape and Geometry” is first. Smooth opening tones lead to a much heavier sound, that is both Progressive and melodic. The music is fairly accessible and catchy, and there is an air of darkness to it. “The Unification Project” has more of an ominous quality to it. The verses are easy on the ears, with clean guitars, and they turn it up in the chorus, where the vocalist shows his prowess. “Firewall” is a slower and heavier grind. The bass work is excellent, but the riffs could use a little more exploration besides resting on a overly simple pattern. Three songs in, and I have not yet been excited.

“Cogito” is more thoughtful. Smooth, and somewhat depressive tones lead to another strong chorus. I hope the second half of the album has more energy however, because the first four songs are not very lively. “Ergo Bellum” is another song that eases in slowly. A meatier riff comes chugging in, followed by harsh vocals, and this is the excitement that I was talking about. Still, there could be more. “March to Redemption” has some very nice vocal harmonies, along with a fluid and gentle sound that transitions to a hastier sound in the chorus. The leads are nicely done, and drip with emotion.

“Alphae’s Sons” has a tender sound that doesn’t need to be overly exciting to get the point across. A few of these sandwiched with some heartier songs would be just fine. “Re:union” is another slow song with tones of regret. Despite having some harsh vocals, the sonority doesn’t change much, leaving the song quite flat. “Re:genesis” closes the album. Unfortunately, it’s more of the same. All of the elements are there that one would want from a Progressive Metal album, save for that energy and excitement. The band is talented, but the entire tale is mired in lamenting sounds, over and over. Nine songs without much change in sonority keeps the album from getting off the ground. What a Progressive fan is looking for are changes in pacing and meter…a constant shifting to keep you on your feet. There is none of that here.