Symphony X at Barby Club (2016)

Barby Club (Tel Aviv, Israel)

Symphony X
  Photography and additional images: Gilad LG "I've been to Jerusalem. I think everyone should […]
By Gilad Luria Givon
August 10, 2016

 

Photography and additional images: Gilad LG

"I've been to Jerusalem. I think everyone should go there, at least once in their lives, to see the true meaning of peace.
And that's all I'm gonna say about that."

A somewhat naïve statement from Russel Allen, made during SYMPHONY X's performance in Tel Aviv. Whatever you may think of this statement, simplistic or not, there's no denying that SYMPHONY X is anything but simple. Heralding in many ways the genre of Symphonic Metal, and certainly being one of the more prominent Power and Progressive Metal bands out there, SYMPHONY X is something of a household name. With albums like "The Divine Wings of Tragedy" (1997) and "The Odyssey" (2002), among others, SYMPHONY X have carved their way into the hearts of Metal fans.

All of this, with good cause – whether you like their genre or not, there's no denying SYMPHONY X's musicianship. Most notably, Russel Allen's vocals are powerful, accurate and enthralling, and Michael Romeo is, in my opinion, one of the finest guitarists alive.
 

 

All of this being true, it still wouldn't mean SYMPHONY X's live performances are any good. Certainly, great studio artists can falter, sputter and collapse (figuratively speaking) whilst on stage. I've seen it happen – not all fare well delivering 90-180 minutes of Metal.

Fortunately, SYMPHONY X have both the skill, stamina and raw energy to capture us, ears and all, whatever the situation. Even with technical difficulties and their set-list being not wholly satisfactory, I enjoyed their performance.
 

 

SYMPHONY X's latest tour is their Underworld Tour, promoting their latest album by the same name. I'll say it plainly – it's not a bad album, and coming from any other band, you'd probably nod in agreement. When you compare it to SYMPHONY X's previous works, however – I must say, it pales in comparison. It's not their grandest work, and it's somewhat unfortunate that most of their set-list was comprised of songs from that album. The core audience loved it, but people on the outer rings were less enthusiastic.
 

 

Add to this the Barby's intrinsic technical issues (most notably, the bad air-conditioning, cramped space and lousy sound), and you'd think any performer would struggle. But not SYMPHONY X – they're veterans, and it shows. Allen's charisma, humour and talent shined through, and the other members seemed relaxed and professional at the same time. They love their audience and the audience loves them – this performance was like a friendly gathering, only with powerful vocals and crazy guitar riffs. Allen converses with his fans, tells jokes and introduces his band members in an amiable, affectionate manner that is hard to miss. This passion is infectious.

The show ended with a high note – the band played some of their older, better material, much to the audience's joy, who raised their fists, roared and joined in singing. Over two hours in, Allen's voice did not crack, nor has his energy dwindled. And that, I believe, marks him and SYMPHONY X as great performance artists.

So, if these lads come to play near you, don't miss them.

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