From Freeman Promotions, “DISSONA” is a dynamic & visionary progressive metal band based in Chicago, USA. Since their inception, they have become known for their diverse, imaginative sound, and powerfully expressive performances. They take a dramatic approach with their music, creating robust, yet intricate compositions with thought-provoking, often abstract lyrical content. They have released two full-length studio albums to date: a self-titled debut in 2012 and “Paleopneumatic” in 2016. The second album was met with much acclaim and an invitation to join Norway's own LEPROUS on a full North American tour. This is their newest full-length album, titled “Receptor,” and is set for release on October 1st, 2025.”

The album has eleven songs, and the title track is first. The generous use of keyboards leads the charge, followed by orchestral elements and a riff that is both rich and intricate. The vocals are energized, harmonized, and bossy, and at times bite hard, and the Progressive elements shine brightly. “Suffuse” has gentler guitar tones, and some light drumming, but a dark force lurks in the background. The vocals are very expressive and emotional and the sound encompasses an ever-changing sky, from dark and stormy to calm. “Becoming Home” is a short, keyboard let song that reminds me of an 80’s tune. Solemn in scope, it is also quite charming. “Incisor” is another moody song that combines the best of what Progressive music has to offer…sweet, dark melodies, and fantastic musicianship. David has an outstanding voice, and it is able to reflect the different moods in the music.

“Haimatox” is another short number that feels the mood change from dark and demonstrative to something even more deep, leading to “It Will Drown.” This song opens up like floodgates giving way to the building pressure. Every accent, and every note, it hit with precision, like a surgeon saving someone’s life. “Chimeric” is a string led song that lets out just enough mystery to reel you in. It’s dark…”I don’t know this place behind my eyes,” he croons, while a storm fronts the horizon. Soon enough, it passes, leaving windy, grey skies in its wake. The emotional impact of this song is marked. “Weaponized” has that thick, old school organ sounds that reminds me of walking into church as a teenager. But this is a church of Metal, and the hardened tones that follow are bested only by the band’s sense of songwriting, melody, and impeccable timing.

“Red Mist” roars out of the gates like a lion leading his pride, and the band displays a technical dexterity I haven’t heard recently. It’s fully dark, with poisonous, venomous vocals, but keeps moving, never stagnant. “Shadow Consummation” is a builder, beginning with unassuming tones, with added layers along the way, until the full brunt of emotions reach you. This music is dynamic in that regard. I’m not sure what feels more real to me…the heavy, solemn tones of burden, or the high level of resolve in the vocals. “In Dawn’s Wake” is the final offering, and it cools you down at first with warm, inviting tones that fall like a stone wall busting from the pressure of the water is has held back. This is it…a deft combination of heavy emotion, dexterous instrumentation, and commanding vocals. Those fast picked guitar parts with chunky, throbbing bass notes underneath is a real treat.

The album isn’t just about showing off technical prowess, though there is no shortage of dexterous riffing, polymetric drumming, and intricate bass lines. The technicality exists as a vessel that is built to carry an immense weight of melody and emotion.  But there is no denying the sheer technical command on display. Time signatures bend and fold like metal under heat, solos uncoil with jaw-dropping fluidity, and the rhythm section acts like a living machine, precise but never mechanical. The virtuosity never loses its human touch; you can feel the sweat and soul behind the notes. It’s music that pushes forward intellectually, but also pierces inward spiritually.