Human Remains

Declamatory

Mankind is on display once again and the naked truth shows its ugly face once […]
November 24, 2012
Declamatory - Human Remains album cover

Mankind is on display once again and the naked truth shows its ugly face once more. This is another turn up of our supposed destruction heading forward to our incoming extinction. So why do the scenarios have to so grim? I guess that eventually, according to our past and present, we tend to rip what we sow, harvest the crops of our own cognitive madness and technological advancements. So where do were go from here? To try to think of ways to avoid our upcoming demise, start thinking of the consequences or just let it all go, let the future take its course without the need to give a damn. Well some people can't just stand and remain silent about, some have to shout out and warn their peers. DECLAMATORY from Germany have been one of these young groups that chose to leave out nativity to those that decided to make their lives in wonderland and reach out to those with any sort of awareness. "Human Remains", the band's independent debut, signals a different version of the beginning of the end and the few remains afterwards.

While spinning humanity's fate on their fingers, which asserted a fine concept even though I really don't think that a singular story was intended, for some reason I couldn't see myself fully following the band's modern Metal path. In overall, DECLAMATORY play a mixed kind of contemporary Thrash and Heavy Metal but also drenched it with smooth modern and commercialized Hardcorish stomps. I would say METALLICA molded with current corish additions. Pretty much most of the tracks follow the same formulas that submit themselves to bombastically punching modern main riffs, which didn't seem to imply of any outstanding efforts, C parts clouded by semi kick downs or slow tempo palm muted thick tones, yet there were amped soloing verses and several melodic coloring that shed a few hot spots along the way. At the front end there are beguiling clean vocal choruses that seemed loosen and somewhat creative among a sprouts of raspy and partially growled atonements that didn't flinch me that much. I wouldn't say that DECLAMATORY didn't come up with a few intriguing rhythm verses such as cool melodic riffing, a few harmonies and the shaped up choruses that were able to buy them some points, but in general the end result doesn't sound as big as it could have been.

"It's All Over" and "Night Club Booze Tale", above the beyond their peak performances at the choruses, have additional attributes to offer. The latter, as it should be recognized, lived up to be a tad stony and drunken, rolled with ease with fine riffages and nicely crafted passages. The former is the album's megastar. It contains a truly addictive rhythm features that amazed me both for their toughness but also for their gracefulness. The vocal line actions, on their dimensions, were enjoyable and easy to grasp. "Nomad" is the album's heaviest song with an anthem like chorus that took its hold on me, nice, and simplistic, riffs, delivered in a decent general feel. This one could have been a major hit if done with several accessions. In a nutshell, DECLAMATORY tried to make it big with infesting modern Metal type heaviness with a few melodic facets concentrated on minimal melodic riffing as entrée pallets and harmonic choruses to ease the approach. Their attempt was pretty descent, especially for a first album, but I believe that a bit more work is needed to assemble a masterpiece.

7 / 10

Good

"Human Remains" Track-listing:

1. The Die Off
2. It's All Over
3. Raider Messiah
4. Law of the Gun
5. Night Club Booze Tale
6. Nomad
7. A Perfect Drug
8. Human Remains 

Declamatory Lineup:

Toni Watzinger- Guitar
Robert Scholich- Vocals
Gregor Sommer- Bass
Eric Klieme- Drums
Sebastian Fischer- Guitar

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