From their EPK, “The CREMATORY hit factory opens its doors for the 17th time with its new studio album “Destination” and reaches a new, even higher level than before. It's an album that literally combines all the strengths and phases of the gothic metal pioneers, going back to their melodic death metal roots in places, then diving deep into the gothic realm again and surprising with some electro dancefloor bangers. “Destination” is like a musical best-of album, a return to the past combined with the strengths of the present. One thing is clear: CREMATORY are highly motivated, are upping the ante and definitely still have a lot to say even after 34 years of successful band history.”

The album has 12 songs, and the title track is first. It has a weighted, electronic groove. The vocals are guttural, but they work well with the dark music. Much of the melody comes in the chorus, when clean vocals join the fold. “The Future is a Lonely Place” is another dark but melodic offering with a combination of clean and harsh vocals, and the band fills the background nicely with hard-hitting hooks from guitars and keyboards. “My Girlfriend’s Girlfriend” features a healthy dose of keyboards to go along with the melody in the guitar work, and no matter what the genre, I always appreciate keyboards.

“My Own Private God” has an organ led entrance, almost like you are opening the doors to a church. But what lies on the other side is not heavenly. The creatures that scuttle about inside are all undead. “Days without Sun” has some energy behind it, and more electronica. But some of the songs are starting to run together just a bit. Vary the pacing, vary the key, or even the sound itself a little and that would go a long way to a more memorable listening experience. “Deep in the Silence” scratches that exact itch, as the slow pace is overflowing with melody, and it beguiles you to just enjoy the quiet. The world is too full of sounds, most of which are meaningless.

“Ashes of Despair” has a catchy groove to it, and those hooks reel in the listener with ease. It’s bouncy, but also dark, as a lot of Gothic music is, and you can sing along. “Toxic Touch” is another electronically heavy sound with a great hook, as well as another combination of clean and harsh vocals, and this is where the MeloDeath elements play nicely. “Das Letzte Ticket” is the final song, and it’s sung in the band’s native language. This was an enjoyable listening experience, although 12 songs did wear out their welcome just a bit. Many of the songs were catchy, and I love the use of electronica with the dual vocal style. You have to take into consideration the sheer amount of albums that the band has released and how long they have been around. I’m sure this new album will please current fans and probably win them over some new ones also.