Metal maniacs, rejoice! I am proud to present to you: BINARY ORDER; unsigned/independent, hailing from England - performing Brutal Industrial Metal, on the new album "Messages From The Dead" (released November 29th, 2022). 9 tracks ranging around 53:18, and since formation in 2008; BINARY ORDER has 6 full-length studio albums in their discography so far - arranging an intricately designed formula on some heavy-hitting Industrial Metal developments.

Opening up with this synthetic soundscape; this rampantly rompy remedy rumbles with reverberating thuds & majestic melody within "Sick". Benjamin Blank's ruthlessly primitive vocals yell with shouty raspiness & guttural grumbles amongst a hybrid symbiosis on clean cords, fusing a flamboyant heft on weighty tonality. This melancholic shroud ramifies with tight rhythms; solidified with uniquely versatile harmonies and blistering barrage frenzies in distorted, amplified euphony, executing a distinctively distinguished bombardment on razor-sharp rifts of profusely robust guitar dexterity... amongst a flexibly fundamental bass flickering that thumps out rawly rough meatiness with sulphurous slabbiness for good measure. "The Weight" manifests with more mystifying programming techniques; while drums hammer with rambunctiously piledriving vehemence, not at all bad for a songwriting perspective with just one man working on everything.

The merger of deep grunts and clean cords work really well; unearthing this vibrantly potent wave of monolithic tempo & atmospheric brutality, ambiently constructing a concretely gritty landscape in dynamic firepower expertise - enriched with this strident strife on viciously pandemonic persistency on top of this persevering solitude that surges with volatile "Violence" within the next industrial banger. "The Hands Of Time" injects an infectious beat on venomous techno progression; revolved around an anthemic daze, intertwining an alarming mood while this salubriously sublime riff that fabricates a mellifluous orchestration on keyboardist synthwork that's most dazing. "Towards The End" brings back the symbolic bestiality in boisterously bouncy bashfulness while still retaining those quaint vibes which barks elegantly and exquisitely, forging a diversely complex listen with varied musicianship qualities that's quite impressive.

Stompy taps followed by an artificial foundation in borderline trembles revel with organic substance & rapidly swift nimbleness; shredding with relentlessly scouring seamlessness, rounded with sonic stability amongst a galloping frolic in chugging excellency makes this record rollicking with tremoring but ground-breaking solace so far. "Parasite" brings in some Nu-Metal altruisms; immersed with tenoring mobility on ravishing but celestial divinity, an angelically lofty density impactfully impulses eardrums with pummelling pounds & punchline tactics, where nothing but echoing cylinders fire an all guns blazing tremble that quavers with momentous manifolds in implementing an experimental force on strong elements in crunchy chunks in bolt driving distilment. "My Own Mortality" transitions this with more transgressional revs that pierce through your speakers with quintessential virtuosity & zealous richness, this sub-genre tends to evolve intensively with vivacious proficiency... motoring with quirky snappiness that's splendidly masqueraded with unorthodox profoundness that's rather revered but also a delight should you need an escape.

"Still Water" enchants more rigid ruggedness on those alchemical blends in all aforementioned traits; transcended with more ominously jarring aberrations in abhorrent calamity and archaic archetypes in blasphemy desegregation in an apocalyptic imagination that's most thick in instrumental embrace, empowered also within the penultimate titular track which belts a clobbering veracity on bleak but dark briskness as "Messages From The Dead" brings forth a captivating pursuit on striking machinations of fate entwined destiny that we must accept, either that or die "A Good Death" with the overall concluding banger in ardour feels of spirited soothe that will marvel within you the more you listen to this grandiose grandeur in vigorous rigour that's marvellously composed.

Bottom line; I am compelled to say that BINARY ORDER & Benjamin most surely outdone himself here, an enjoyably entertaining discovery deserves experiencing and is one to keep note of should you fancy a healthy dose in Industrial Metal malignance that's brilliantly crafted and performed whilst dreamfully enthusiastic. Worthy of listening to a good couple of times, do check it out.