Ne Obliviscaris, Winterhorde at Teder Club (2015)
Teder Club (Tel-Aviv, Israel)
Ne Obliviscaris, Winterhorde
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June 12, 2015
It is a hot summer coming up ahead of us, especially when we have visitors from Australia bringing an additional amount of heat. Such as, Ne OBLIVISCARIS, the atmospheric, Black/Progressive Metal, hit the stage at the Teder Club, on 11th of June. It is hard to refer this band only by Black or Progressive, nor Thrash or Death, I think I get why they have so many genres involved in their band identification, they are too diverse, and they are one of the few that do it right.
The contrast balances as a perfect ying yang between the beautiful melody and the dark atmosphere followed by Tim Charles on violin and harsh and brutal, Black/Death Metal riffs and Xenoyr's growls. This kind of combination is not usually successful, though, as a brilliant musicians they've done a spectacular job, of course, it was reflected on their performance.
The opening act by the Israeli WINTERHORDE was quite satisfying, Black Atmospheric Metal, their genre fitted perfectly to the evening and served as an appetizer for the crowd with the right proportions. Through the years WINTERHORDE gathered their own loyal fans and listeners, and for their fans, they'd gave their all.
Considering the construction of the club, some small difficulties have been felt. The base drum was way too dominant, loud and sharp, but still the performance by Dan Presland was dynamic, precise and good. The drum set is very impressive, And Presland didn't spare a bit, two high-hat, two rides, three china cymbal and two crash cymbals and more.
The first song opened with a pace 6/8 base drum kicks, I guess the sound technician improved the drum sound, suddenly it sounds more balanced. very powerful song, with an awesome opening. In the middle of a harsh grind part, the violin steps in for a full power feeling, which lead to a mosh-pit.
In my final words and impressions of this show, Ne OBLIVISCARIS is a phenomenon, a truly unique band with a remarkable dynamics, I could see that from the first moment when Tim Charles stepped on the stage and grabbed his violin, everybody pulled out their camera and cell phones to capture the moment, like a hunt on a unicorn.
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