CALL OF THE VOID got their start in Boulder, Colorado during the year 2010. The band has two albums out so far; 2013's "Dragged Down A Dead End Path," and their latest release, "Buried In Light," which came out recently this year.

"Disutility" sets the typical pace of this album quite effectively even though it is a very brief. The song's short duration doesn't change the fact that it's a rapid-paced track that packs a punch. "Suck Me Dry" is angry and hectoring in tone, which is perfect for anyone having a really rotten day; I speak from personal experience about this. The song's brutal sound along with the lyrics overall rage factor suited my mood perfectly when I first listened to it. By the time it was done I felt much better. "Living Ruins" has even more anger within it. In places it reminds me of some of the music performed by LAMB OF GOD. The vocal performance is amazing due to its power and sheer volume. Throw in some choice guitar hooks that possess a buzzsaw-like sound and you've got one absolutely great song.

"The Master" starts out heavy, dark and ominous with some EXODUS-like overtones. The guitar riffs are quite intense throughout the song which definitely keeps the interest factor high. Everything about this track is nearly perfect as it plays; the right touch of precise percussion along with vocals that are probably some of the best I've heard, as well as a good balance between anger and despair with regard to the song's overall tone. It's about as metal as it gets. Check it out for yourself if you have any doubts at all. "God Hunts" finally showcases the bass which had been surprisingly low-key on the other tracks. The intro is tense as well as powerful as it leads you into the main body of the song. The use of distortion within the track is very effective. It's definitely present, yet it manages to enhance the song instead of turning it into an annoying audio mess. I'm impressed with how well the band plays, too. It's apparent they have spent a lot of time practicing and honing their overall skill level as musicians because it shows in their music.

"Enslaved" is another short, mainly instrumental track, making it a brief interlude within the album. The track's beginning is sort of eerie and brooding before a voice sample takes over. I don't care for songs of this nature, but I have to admit it actually flowed with the rest of the album quite well rather than disrupting it. The other track that stands out is "Buried In Light".  It's full of tension that builds gradually before exploding with fury. The nature of it is blistering and scathing. It makes it quite clear that hostility is at the heart of the track; it never strays from it, either, ensuring that you will NOT forget. It's another song I'd recommend for anyone who is considering the album as an addition to their music library.

Simply put, "Buried In Light" will not let you down if you're looking for the type of Metal that grabs you and refuses to let go until the album is over with. I may have to start reconsidering my opinion about the current Metal scene in the USA if bands like CALL OF THE VOID keep appearing.