From Bandcamp, "LAUGHING STOCK is a Norwegian band consisting of Jan Mikael Sørensen, Håvard Enge and Jan Erik K Nilsen. They are signed by the Norwegian label Apollon Records Prog." Their record label adds this to the narrative: LAUGHING STOCK is a band completely in command of their artistic vision. That vision is quite complex, and the band has no goal of fitting in a specific genre. 80's artpop, 70's prog, neo-prog, folk and metal. They are all parts that fit in the puzzle." The album has seven songs. "Summer's End" is the first proper track. I love the heavy bass notes. They carry a weight with them that keeps the song buried in the shadows. The main riff is bossy, slow, and powerful, and like a playground bully, they push you around. The song isn't without melodic moments though, especially in the vocals. They are smooth, gentle, and tinged with psychedelica.

"Not Today" is a much smoother ride, with breezy vocals, clean guitars and more meaty bass notes. It spends a lot of time frolicking in the field, with the warm sun on its back, and without a care in the world. "The House" is another ethereal offering. The bassist is like the compass…he leads the band through the churning seas and lights the way. Through three songs so far, the music seems to be more about the ride than the destination. "All the Strength" features piano notes and a solemn landscape. I feel like the band just all let out a collective sigh and are regrouping for what might come next. But the brain fog lift, and in comes the sunlight. "The Fire" is much darker. The guitars, bass, drums and vocals seem to be crawling through a tunnel trying to stay out of sight. A jarring change of pace leaves the darkness behind, although I still have the feeling of being only half-awake.

"We Look at the River" is both pensive and introspective. What do you see when you look at a river? "A miracle of water" he proclaims. Indeed. Leads breaks are simple, but bluesy, and oh so emotionally charged. "From the Shadows" is the final offering, and despite the mostly mellow tones, harsh vocals roar behind the veil. They eventually fade, however, in favor of a sound that brings up more questions than answers. Overall, I mentioned that the album seems to be more about exploring the journey than arriving at any destination. Certain Progressive Rock music features subtle complexities that may challenge even seasoned listeners. I found the material here to be reflective of that. It might be one of the best features of the genre however…that sense of mystery and having to peel back the layers to find what's underneath.