Monumetal

Catch 22

Every now and then I stumble upon an old school Metal release. Whether it's classic […]
May 6, 2011
Catch 22 - Monumetal album cover

Every now and then I stumble upon an old school Metal release. Whether it's classic or extreme, it is always a pleasure to listen to bands in their attempts to recapture the lights and feels of the past. Modernity, both in terms of sound and material, has its hold on the new generation of Metal and it can be equally compelling especially if heaviness is concerned. When I listened to CATCH 22, the US Metal band from Ohio, I was glad to hear their devotion to the roots of the music along with their clinging to their old local scene as Thrash / Heavy / Power Metal, all under the same roof. Cool as it may be, it wasn't that cool after I listened to the whole new "Monumetal" package released on the band's new label, Metal On Metal Records.
 

Let's just say that the direction was there, and for me it was the right one to follow. However, has it occurred to this band that inventiveness and excellence were way too important to abandon than following the roots of the music. That is the reason why most of the material soured and was in an average level or beneath it. The large majority of the track list offered Metal creations that contained riffs and passages that were used a number of the times that one will probably lose count. I can't say that some of those weren't powerful, as some were utterly heavy and pleasing, because of their easiness and that every Metalhead will surely like but recycling should not be the guideline. Furthermore, some of the written lyrics were as in such a banal rate and it seemed as if there was a lack of connection that I couldn't believe to what I was listening, check out the stuff that was written for "Against The Grain". It might have sat well with the music, but it was as if those lines were used over and over.

Only a few of the tracks on "Monumetal" really made the difference for the band. Those were "Twisted, Ruined And Black", the Bay Area enhancer, "Killing Time", a solid time killer for sure and there were "Switchblade Hate" and "Downward Spiral" that left some positive notion.
 

Another thing that truly bugged me was the quality of the role recording itself. I believe that this trio is a rather professional crew of musicians. However, especially in the guitar and vocal sections (which were actually handled by a single individual), showed some inaccuracies throughout the album. The most recognizable ones were on the opening "Power Revolution Mad" (vocals) and on the closing "Catch 22" (lead guitar).

What about the handling of the album's production? As for the material, the intent was there and some of the arrangements went pretty well but in overall, the mix is too rough even for 80s standards. The main aspect that added to the roughness is the uneven sound of the drum set. On occasion it shadowed the other lines and nearly suffocated the vocals. The guitars on several areas made that same impression.

In general, as I mentioned earlier on, the old school direction of this band was the most notable. If you are a fan of the old METALLICA, PANTERA along with tons of other US Metal bands of the 80s, you will find a few things you would like on this one. However, for others that are a fans of the old era but looking for something slightly refreshing, it would be a downward experience. With no doubt that the old American Metal spirit is alive within this band, and it has been for years, but a little bit of effort and creativity will nurture it. 

5 / 10

Mediocre

"Monumetal" Track-listing:

1. Power Revolution Mad
2. Contained?
3. ...And the Fire Still Burns
4. Killing Time
5. Igniter
6. Exciter's Lust
7. Downward Spiral
8. Switchblade Hate
9. Against The Grain
10. Twisted, Ruined And Black
11. Catch 22

Catch 22 Lineup:

T.J. Berry- Vocals, Guitars
Jason Antil - Bass, Backing Vocals
Steve Strahler - Session Drums

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